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年代:2015
类型:Classical6 C$ [2 S! r& d
导演:William Cosel, Jonathan Haswell, Brian Large% l q- n/ F7 J3 {* \" `- @
指挥:Franz Welser-Möst
出演:Yefim Bronfman (piano), Julia Fischer (violin), The Cleveland Orchestra) O3 P- A" g- V, l
简介:
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The Cleveland Orchestra is the “aristocrat among American orchestras” (The Telegraph) and its conductor, Franz Welser-Möst, rules his subjects with a velvet glove. Indeed, velvet and silk keep showing up in descriptions of the Clevelanders’ sound under its principal conductor.
The First Symphony is Welser-Möst’s chance to let Brahms’ “mellow, silky sound” (The Guardian) unfurl about the stage of London’s Royal Albert Hall during one of the prestigious BBC Promenade Concerts. In the “frenetically applauded” (Die Presse) concert recorded at the splendid Golden Hall of Vienna’s Musikverein, Franz Welser-Möst leads his “devoted and exemplarily precise musicians” (Die Presse) in a rendition that polishes every detail to make the Brahms’ Second Symphony glow from within. In the evolution of Brahms’ symphonic oeuvre, his penultimate Third Symphony unites the brightness of the Second with the monumentality of the Fourth. Die Presse applauded the concert in which Franz Welser-Möst performed the Symphony as “structurally highlighted, vividly sketched details modelled with great subtlety”. Welser-Möst offers a “lean, propulsive performance” (The Plains Dealer) of the Fourth Symphony. The swift pace in his hands reflects the conductor’s quest for a distinctive, far-from-mainstream interpretation.
Brahms’ rousing Academic Festival Overture and Violin Concerto op. 77 bear witness to a composer at the height of his abilities, a mature master of large-scale masterpieces. The Violin Concerto demands extreme technical proficiency. As if to exemplify this, violinist Julia Fischer gears herself from the very start of this emotionally searing work to maintaining a restrained yet passionate tone.# X6 d# S5 O+ i: ?' Q7 u4 r) r+ Q
Yefim Bronfman has the uncanny ability to play large without stridency, to handle the most delicate passages without losing presence, and to play everything in between with a ravishing sense of tonal colour. In the Second Piano Concerto Welser-Möst and Bronfman brought pulsing energy to the concerto’s second movement, setting up an oasis of calm for the third that segued immediately into the genial finale, whose last chords were nearly obliterated by roars of approval from the audience. Laced into his forceful performance of Piano Concerto No. 1 was a surprising element of fury, as if the pianist had become unhinged momentarily: and yet Bronfman was also wholly present, taking time in relaxed passages to savour every second.
约翰内斯·勃拉姆斯(Johannes Brahms 1833-1897),德国古典主义最后的作曲家,出身于汉堡的一个音乐家庭。早年曾从戈赛尔、马克逊学钢琴,一生交游颇广,尤其得到舒曼夫妇及约·阿希姆赏识与支持,是创作与演奏并重的作曲家。勃拉姆斯的作品兼有古典手法和浪漫精神,极少采用标题,交响作品中模仿贝多芬的气势宏大,然而笔法工细,情绪变化多端,时有牧歌气息的流露,仍带有自己特点。他的作品中有很多都是世界名曲,与巴赫,贝多芬并称德国音乐史上的“三B”。
奥地利指挥家-弗朗兹·威尔瑟-莫斯特 生于林兹,是一位奥地利指挥家。 威尔瑟-莫斯特曾在Balduin Sulzer底下学作曲,还兼修小提琴,后来当上了指挥。他在1985年前一直指挥着奥地利青年乐团。1986年他指挥伦敦爱乐乐团引起轰动,因而在1990到1996年继续与乐团合作。1995年到2002年他成为苏黎世歌剧院音乐指导。2002年他成为克里夫兰管弦乐团首席指挥,9个月之后,他的合约一下子延到2011-12年乐季。2005年9月1日他兼任苏黎世歌剧院音乐总监。他已在苏黎世指挥超过40场歌剧。弗朗兹将会指挥2011年维也纳新年音乐会。
威尔瑟-莫斯特2010秋出任维也纳国立歌剧院艺术总监,并常到柏林德意志歌剧院和萨尔斯堡音乐节担任客席指挥,还指挥过维也纳爱乐乐团,柏林爱乐乐团,古斯塔夫·马勒青年乐团和巴伐利亚广播交响乐团等多个著名乐团。
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曲目:/ J" \4 N7 ^* j- o. H# z
· Disc#1
Johannes Brahms (1833-1897)2 Y9 I# F. e- r' Z: I& A- \7 m! P
- Academic Festival Overture in C minor, Op. 80 h% F) _: ~( Z. F
- Concerto for Violin in D major, Op. 77" s3 C2 }3 t! O6 a* P3 H
- Symphony no 4 in E minor, Op. 98
· Disc#2
Johannes Brahms (1833-1897)
- Symphony no 1 in C minor, Op. 68
- Symphony no 2 in D major, Op. 734 I' z8 h% m0 ?! H0 H) B
- Symphony no 3 in F major, Op. 90
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· Disc#3
Johannes Brahms (1833-1897), t' W0 o1 h7 V) W! Z1 T
- Variations in B flat major on a theme by Haydn, Op. 56a "St. Anthony"
- Concerto for Piano no 1 in D minor, Op. 15' `5 A; u; ?$ Z& T B" H6 L
- Tragic Overture, Op. 81
- Concerto for Piano no 2 in B flat major, Op. 837 F3 L: v$ \/ b
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